Hand written

Every once and a while I come across a hand written note book, diary, autograph book  or recipe/cook book and today I would like to look at one such item.

The autograph book contains a number of drawings which are done by several different people along with messages for a young miss by name of Mary Davies. The dates on these items all come from around 1917 to 1919 but it is the very first item in this book which will possibly be of most interest.

Thistledown Fairies drawn by W L Munt @ 1917

The best drawing is the image of the #ThistledownFairies. Copied in 1917 from the Alfred Ernest Walter George Aris original which was published in “Blackie’s Children’s Annual”

War time advertisement – drawn by N Munt

We move to a variation of a wartime ad for frugality. Ithink it is quite cheeky thinking that dad might even remotely be ok with the idea. Once again a nicely executed drawing with a twist.

Finally, we come to the first item in the booklet. A salutation in rhyme each line beginning with the letters of her name.

Salutation/dedication to Mary Davies by RCB

This salutation/dedication is the best poetry in the booklet. To my reading it is well thought out and reads very well but it is the author’s initials which are to me the thing which raises an interesting idea. This being on the first page and undated might mean that it was written earlier than 1917. If so, I might venture a guess (or hope) of it being prior to 1915. If this were the case, the initials for the author become very intriguing for they might be those of #RupertChawnerBrooke (1887-1915) a British wartime poet. But so far I have not been able to tie Mary to Rupert in any solid/factual way. So, maybe I will just remain in hopefulness.

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A Musical Opportunity

Today, I thought I would wander into town and visit a couple of charity shops to see what I might find. I am always pleased when I find things relating to Ely Cathedral. Well, today, I found two part-books of music; not vocal but instrumental. They are for the viola and the violoncello. Volumes 9 and 10 of some set. Each book contains music by the composers Joseph Haydn, Charles Avison, Antonio Kammell, and Gasparo Fritz.

Instrumental part for Three Quartets by Joseph Haydn

The #Haydn quartets are from Opus 76. They were originally published in 1799. I have the parts for the first three trios; “1 – The Jack-in-the-box, 2 – Fifths, and 3 – Emporer. The watermark on the copies I have reads 1819. They were published by #MuzioClementi at 26 Cheapside, London.

Part book for Twelve Concertos in quartet by Charles Avison

The next composer is #CharlesAvison, a Newcastle upon Tyne. The books contain the instrument parts for concertos 7 to 12, opus 9; written in 1766. The watermarks show that these are possible a first edition.

Divertimento for quartet by Antonio Kammell

The third composer is #AntonioKammell (1730-1784). He was a close friend of JC Bach. There are no watermarks on this hand-made paper, so, I can only guess that it might be a possible first edition. The paper itself is interesting. It has an odd colour when held to the light and no chain lines.

Sei Sonatefor 4 instruments by Gasparo Fritz @ 1742

Our last composer is #GasparoFritz (1716-1783) and his set of 6 sonatas. Once again, the watermark tells me these are a very early imprint, most likely corresponding with the 1742 publishing date.

Annotation from sonata # 6

I finish with an image of the notation from sonata # 6. Hope you enjoy.

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Artist Ben Ripper

We are going down the road to nearby Swaffham in Norfolk to visit with artist #BenRipper. Swaffham was made famous in the Stephen Fry television series ‘Kingdom’. Ben was a local character. Ben was, of course, artist, as well as local historian and, finally, gents’ barber. His shop window regularly displayed his artwork.

Market Cross, Swaffham, Norfolk – ink drawing with wash by Ben Ripper

I have one artwork by Ben Ripper in my collection. It shows the market cross in Swaffham town center. Nicely executed,Ben has a fine eye for proportions and architecture. An image from a bygone time beautifully rendered.

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Zofia Matuszczyk-Cygańska artist

A couple of years ago, I picked up a type of artwork that I do not come across very often and which I know almost nothing about. I can not weave, although, in my university years, I did dabble in crewel work to relax. The artist #ZofiaMatuszczyk-Cygańska (1915-2011) is a Polish artist more known now for her painting than her weaving. Originally studying mathematics, she decided that art was her desired vocation. She studied at the Warsaw Academy of Fine Arts under Edward Kokoszka. After the war, she studied with Felicjan Kowarski.

Written onto linen backing – verso

Also, after the war, she worked for the LAD cooperative designing fabrics, some of which adorn the Palace of Culture and Science, the Grand Hotel, and the National Philharmonic. From the 1950s, she started creating abstract paintings composed of small square swatches of colour. A mosaic, in fact, almost pointillist in effect. Her paintings resemble the tapestry style where she began her career.

Zofia Matuszczyk-Cygańska weaving

This piece hangs above the headboard in my master bedroom. It has warmth, depth, motion, and a use of colours which exudes life and the passing of time.

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Two Modern Artists

I am not always a fan of modern art. I find some pieces as not thought through or show little effort has been put into them. Both the artists, today, show that less can be more when it comes to art.

We will start with #PeterHedegaard (1929-2008) who was a London based artist. He was born in Copenhagen, Denmark but moved to London in 1935 with his parents. He studied at Charterhouse and Hertford College, Oxford. He studied design at the Bartlett School of Architecture. He worked only for a short time before becoming a professional artist. He was the painter – his wife, Isolde, taught herself screen printing so that they could publish/print copies of Peters’ work. They produced 2 or 3 screenprint editions per year.

Circle with Wave – green, blue, and mauve 7/10 by Peter Hedegaard @ 1965

In my collection is “Circle with wave, green, blue, and mauve”. It comes from early in Hedegaards’ career, 1965, and is #7 from a print run of 10. A simple combination of line, colour, and shape create a very fine work. A fine example of the geometrical work which Hedegaard was known for.

Our second artist is #FredIngrams. After his early studies, Fred became a painter. He lived in Soho above the Coach and Horses Pub. Over the years he also worked as a graphic artist for a number of publications which include The Times, The Field, Tattler, Vogue and House and Garden. In 1998, he moved to Norfolk where he paints both nudes and landscapes from life. The engraving from my collection was created in 1989. It is simply called ‘Nude’ and is #15 of 50.

Nude 15/50 – engraving by Fred Ingrams @ 1989
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Two pieces separated by time and distance

I thought today, I would write about two pieces which I recently added to my collection. They come from very different times and were made half a world apart.

We begin with the most recent artwork. A piece done in pastel by artist #BerylTristNewman (1906-1991). Beryl Newman was born in St. Albans, Hertfordshire. She is best known as a portrait artist but also produced a wide variety of local and foreign landscapes, religious studies and images of children and animals. She married Reverend Canon Rupert Newman and lived in Lustleigh, Devon. She studied art in Bushey and then London under Hubert van Herkomer and Roland Wheelwright. She traveled extensively and produced many pieces during her travels. She exhibited regularly and was a great supporter of Exeter Cathedral Choir.

Children at play – pastel drawing by Beryl Trist Newman @ 1950

We travel back now to Japan, 1838, to artist #UtagawaHiroshige, a Japanese woodblock artist. I have mentioned works by him in previous chapters but I acquired another fine work by him. It is apiece called #WeepingCherryandBluebird. It bears the Hiroshige signature and seal (almost unreadable) as well as a poem which reads “I hear a song of a nightingale when I enter the mountain lane“. A very beautiful piece to have added to my collection.

Weeping Cherry and Bluebird – woodblock by Utagawa Hiroshige @ 1838
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Arthur William Heintzelmann artist

We hop across the pond to visit with one of Americas finest etchers. #ArthurWilliamHeintzelmann (1891-1965) was born in Newark, New Jersey. He studied art at the Rhode Island School of Design. In 1921 Heintzelmann moved to Paris. There he met #EugeneDelatre who became his printer/publisher and also instructed him in the intricacies of fine arts printmaking. He moved to Switzerland in 1931 and later returned to the USA in 1934. Heintzelmann became the Keeper of Prints at the Boston Public Library in 1941 and held the position until his retirement in 1960.

Old Man in Italian Cap – edition of 250 @ 1920

I acquired ‘Old man in Italian cap’ last week. It displays Heintzelmanns’ superb technique. A very nice impression. It is no wonder that he is considered one of the greatest etchers of the 20th century.

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The Human Body

Today, we look at two lithographs. The first was published by C. Hullmandel. The second was published by #Graf&Soret. Both are anatomical studies of the musculature of the human body. I believe they are plates from #TheMusclesoftheHumanBody which was published in 1836. Both of these were put to stone by #WilliamFairland and are also hand coloured.

Anatomical lithograph (shoulder) – by William Fairland
Anatomical lithograph (neck) – by William Fairland

As one can see, these lithographs are wonderfully executed, and contain minute detailing. Although not necessarily pieces of art which one might hang on one’s wall they are still excellent examples of the work being put forth to educate the doctors of that time.

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Frederick Mercer artist

Today, we travel to the city of Birmingham to visit the son of a fish monger. #FrederickMercer (1850-1939) came from humble beginnings. He began his work life at the age of 10 as an errand boy and by the age of 20 he was employed as a photographer. At some point he started to draw and paint and by the 1881 census he was described as an artist specialising in watercolour landscapes. He painted many scenes from Wales and the Midlands, mostly landscapes, rivers scenes, mills and cottages, an occasional figure painting, genre subjects and coastal scenes. He exhibited regularly from 1871 to 1911, some 116 works in total. In 1883, he moved from Birmingham to “Radmoor Wood”, Abbots Bromley, Rugeley in Staffordshire.

‘The Pet’ – watercolour by Frederick Mercer @ 1880

We see a superb example of Mercer’s work above. I acquired it earlier this week. Wonderful vibrant colours with an idyllic scene give this watercolour a peaceful and endearing charm. Somewhat reminiscent of an artist by the name of Myles Birket Foster – a contemporary of Mercer’s.

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Two Modern European Artists

We will start today with a piece which has been in my collection for a number of years. #KarlEwaldOlszewski (1884-1965) was a German artist who studied at the Academy of Fine Arts and later in Paris. He began as a portrait artist favouring his mother and his niece as his subjects. After his move to Mecklenburg with its rolling hills, lakes and Baltic coast a change in his subject matter was seen to occur.

Swans in Flight – watercolour by Karl Ewald Olszewski

Karl became famous as a bird painter. He painted storks, eagles, moor snipe, swans, geese, seagulls, herons, ducks and crows in their natural habitat. He spent several months each year around Mecklenburg painting and sketching.

The above watercolour is typical of his style. There is a unity between air, sea, earth and feathered fowl. An expertly rendered piece.

We now move to France to visit with Polish artist, #AgaWerner (1969- . She works in pen, oils, and engraving. Her specialty is freehand architectural drawing which she also teaches through her studio. Her drawing skills are used by architects and designers to display their concepts. She is also a skilled life drawing artist displaying the human body. Below is a fine example of her freehand drawing style showing part of the facade of #LaFregateRestaurant in Paris.

Detail of Restaurant La Fregate, Paris architectural drawing by Aga Werner
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