Today, I would like to consider two artists. The first #EdithGranger-Taylor (1887-1958) and the second #MurielWyman. The two paintings in my collection might be considered somewhat out of the ordinary for Grainger-Taylor. As you will see they are both oils on canvas of the interior of an inn. The information I have gleaned from the web puts her more as an artist working￼ ￼ with pastels. Even so, both paintings bear a label on the verso giving title, price, and signature with residence. ￼Edith Granger-Taylor said at the Royal Academy, St John’s Wood Art School, and the Slade School of Fine Art with Henry Tonks. She, in some ways, was a successful artist exhibiting regularly in the 1920’s and 1930’s with two solo shows included but she suffered from non-acceptance mainly based on that she was female. This frustration saw her withdraw from the art world and she did not exhibit her work again after the 1930’s. ￼The two works display a good eye for depth and shading. The two paintings show the interior of The Old George, Norton St. Philip.
The next painting Still-life with Lampshade (1952) is painted by Muriel Wyman. The only thing that I have come across in regards to her is a photograph of her and New Zealand artist Beatrix Charlotte Dobie. Dobie moved to London to study at the #SladeSchoolofFineArt in 1911. Other than this photo I have found no other info concerning Ms Wyman.This work is done completely using only a palette knife. A nice work and very heavily painted allowing for the play of shadows on the work itself. It may be that all three women knew each other since they studied with #HenryTonks at the Slade School of Fine Art.