Ioseph Brodtmann lithographer

We look at an item this artist is not well known for today. #IosephBrodtmann or Karl Joseph Brodtmann (1787-1862) was a Swiss lithographer. He was considered to be among the finest engravers of his time. Ioseph is best known for his depictions of animals and birds. His works were beautiful and extremely accurate, for often, images like the ones he created were used for scientific research and education purposes.

But we are going to look at a piece which displays the life of the working people.

#LaPriere – #Lithograph by Ioseph Brodtmann after #LudwigVogel

The scene set before us shows a family gathered around their dining table, heads bowed in prayer, giving thanks for what they are about to receive. A bowl of potatoes, a truckle of cheese, and a loaf of bread or a piece of ham. Meagre by most standards today but yet sufficient.

Child sleeping

When I look at this image there, I see thankfulness and contentment. There is food to eat, a roof over their heads, and children – hope for the future.

Giving thanks

Exquisitely rendered onto stone by Brodtmann and later sympathetically and judiciously coloured, which has imbued a strength we rarely see today. I can understand why Brodtmann was one of the great lithographers of his time. The plate was printed by Henry Fuessli & Co. (1792- early 21c)

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An Armorial Baluster Vase

I do not regularly collect ceramics, but I recently came across an armorial baluster vase, which I thought was worth purchasing. An #armorialbalustervase is tall and made of soft-paste porcelain. It may or may not have a lid. They originated in China, where they were used to transport liquids. In Europe, they became more of a decorative item. Those with lids were often created in pairs or sets for decorative use and are known as a ‘garniture’. Those without lids were meant to display floral bouquets or other items. The lids were often decorated with small finials such as lions or flower buds as well as being decorated in the same style as the vase body.

Complete ‘Coat of Arms’ of The Duke of Grafton @ 1790
– on a baluster vase with lid

As seen, the vase bears the Coat of Arms of #TheDukeofGrafton. This version of the seal dates from around 1790. The motto reads as Et Decus Et Pretium Recti “Both the ornament and the reward of virtue.” As we rotate the vase, we see the arms portion without its supporters, crest, mantle, and helm.

Duke of Grafton ‘Coat of Arms’ only

On the very opposite from this insignia, we find the #Beaufort/Somerset family crest. The arms are once again displayed without its supporters, crest, mantling, and helm.

Beaufort/Somerset Coat of Arms

The Grafton family and the Somerset/Beaufort family are joined through the marriage (1711) of Charles Fitzroy, 2nd Duke of Grafton to Lady Henrietta Somerset, who was the daughter of the Marquess of Worcester.

Beaufort/Somerset Coat of Arms

Opposite the Duke of Grafton’s family crest, we find the full crest of the Beaufort/Somerset family. The motto on the banner reads Mutare Vel Timere Spermo “I scorn to change or fear.” Once again, I believe this version of the crest dates to the late 1700’s.

The vase is completely hand decorated. It bears no signature or date, so I will hazard a guess that it it a 19th century piece but could possibly be the 18th century. A finely produced piece.

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Cornelius Pearson artist

Today, we look at a small watercolour from my collection. It was painted in 1846 by #CorneliusPearson and shows The Chapel at Haddon Hall. Pearson was a landscape and topographical painter who also dabbled in engraving. He was born in Boston, Lincolnshire, but moved to London while young to apprentice under an engraver. Here, he began to paint in earnest and worked mostly in watercolour. He exhibited regularly showing more than 145 works over the years.

#TheChapelofStNicholas at #HaddonHall (pictured below) has a set of rare wall paintings most likely done in the 15th century and some very fine stained glass windows.

The Chapel, Haddon Hall – watercolour by Cornelius Pearson @ 1846

Haddon Hall sits on the River Wye near the town of Bakewell in Derbyshire and is the former seat of the Dukes of Rutland. Haddon Hall is one of England’s most elegant stately homes and over 900 years old. It is an important historical residence and a fine example of Tudor and Elizabethan architecture. It also boasts a walled rose garden as well as the ancient Haddon Medieval Park.

The Chapel, Haddon Hall – watercolour by Cornelius Pearson @ 1846
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The Song of Songs

We look, today, at an artwork created for #TheSongofSongs” (Song of Solomon) from the Old Testament. The image relates to chapter 4 and verse 16.

Awake,O north wind,
And come, O south!
Blow upon my garden,
That its spices may flow out
Let my beloved come to his garden
And eat its pleasant fruits.

‘From The Song of Songs’ engraving (artist proof) by Ya’akov Boussidan @ 1981

The artist is #Ya’akovBoussidan. He was born in Port Said, Egypt, in 1939. Boussidan is a painter, a sculptor, and a printmaker. When he was ten, he and his family were exiled from Egypt due to the Arab-Israeli war. Boussidan was interested in the furtherance of Jewish tradition through his art. At the mature age of 27, Ya’akov travelled to London to study printmaking at Goldsmith College. With access to presses and printing facilities, Ya’akovs’ love of the colours ‘black and white’ were brought to the fore. His technique of etching was refined, along with the mastering of mixing his own inks brought a more focused approach to displaying his thoughts. A few different shades of black can bring warmth or coolness to an image.

From ‘The Song of Songs’ ch 4 v 16 – engraving (artist proof) by Ya’akov Boussidan @ 1981

Boussidans’ ‘The Song of Songs’ was published in 1982. It was limited to 200 copies and contained not only the 8 offset lithographs but also one original engraving from the set. I love the way the two bodies male and female meld into a unified form. Two shall become one. It is an absolutely beautiful piece to look upon.

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Carl von Dombrowski artist

Today, we look at a German artist who specialised in animal and hunting scenes. #CarlvonDombrowski (1872-1951) studied at the art Institutes in both Vienna and Munich. Many of his works were produced as woodcuts for Die Gartenlaube (The Garden Arbor – Illustrated Family Journal). It was the first successful mass-circulation German newspaper and paved the way for all modern magazines. The magazine aimed to reach all members of a family by providing articles on current events, biographies, short stories, poetry, essays on science ,history, etc, and full page illustrations.

Roebuck looks attentively out from the bushes – watercolour by Carl von Dombrowski @ 1920

Dombrowski worked in watercolour and oil. The above piece is done with charcoal, watercolour, and body colour and is a fine example of his work. It is undated, but I would date to @ 1920.

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Bushey Heath Pottery and Fred Passenger

Well, I did it again. I got chastised by my wife for buying a broken piece of pottery, but to my eye, it is a fine artwork. This piece bears an impressed mark for #BusheyHeathPottery

Bushey Heath impressed Mark @ 1922

As you can see, it is made up of 2 crossed ‘P’ letters and the letters ‘De’ and ‘M’. The two ‘P’ marks stand for Henry and Ida Perrin, who were the great admirers of #WilliamDeMorgan (1839-1917) and his designs (hence, the De M). The Perrins set up a kiln and workshop at their holiday home ‘The Cottage’, Bussey Heath. They also hired #FredPassenger (1858-1938) to create and decorate their pottery using De Morgan’s designs. Passenger was one of De Morgan’s most skilled decorators. The ‘FP’ are Fred Passengers’ initials, signifying that he decorated this piece.

Rear of the Bushey Heath plate

The plate is a monochrome using cobalt blue, and as you can see, it is badly damaged and unprofessionally reassembled. It is not till you see the face of the plate that you will understand why I purchased this piece.

Bushey Heath plate by Fred Passenger using De Morgan design @ 1922

Even with it’s flaws it is a truly fine example of Passengers’ technique and the use of De Morgans’ designs. I love this piece not only for its beauty but for its history also. We as people should remember not only the artist’s and makers of pieces but also those patrons of the arts, which have allowed those  artists to work their gifts.

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Philippe-Jacques de Loutherbourg artist

I acquired a watercolour recently, which might be the study for an oil painting by artist #Philippe-JacqueLoutherbourg (1740-1812). This watercolour is the same size (465mm x 640mm) as the aquatint, which was created in 1787 by #MarieCatherinePrestel (1747-1794).

A view of a black lead mine in Cumberland – watercolour by PJ de Loutherbourg @ 1783

Loutherbourg was a French born artist who later became a British citizen. He is best known for his large-scale naval canvases and his work as a set designer/backdrop artist for London theatres. He studied with Charles-Andre van Loo and Francesco Casanova. In 1771, he moved to London, where he worked at Drury Lane Theatre for David Garrick.

Close-up section of ‘A view of the black-lead mine in Cumberland’
Close-up section of ‘A view of the black-lead mine in Cumberland’

Loutherbourg became involved in the esoteric fields of faith healing, the occult, alchemy, and the supernatural. During these ventures, he continued to paint and exhibit.

My favourites from the above images are the horses. They are so wonderfully portrayed. Trust you enjoy this beautiful artwork.

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The Beauty in Glass

I came across a small piece of leaded glass this past week. Just one small piece from a larger window. It is not something which I generally collect but this little piece is quite beautiful in its own way.

The Wren  and the Spider
The Wren and the Spider

Above, I show both sides of this small piece, and it is very hard to say there is anything special about it. But from a different angle, one then begins to see the peculiarities found therein.

Reverse from a different angle.

Above, you see from a slightly different angle the technique with which it was decorated. And if we follow with two other photos showing the numerous imperfections, one can finally guess at an age.

Imperfections in glass
Imperfections and thickness variations in glass.

The original version of this piece is found within the Zouche Chapel in York Minster. It was saved with several other pieces that had been used as temporary patch repairs on the larger windows. They were installed in the Zouche chapel in the 1950’s. The piece in the chapel is believed to come from the 15th century. I  am quite sure this is a modern copy, but it is well made and looks lovely hanging in my window.

Close up of the wren and spider
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Harold Williamson artist

I truly enjoy finding a new artist and can introduce people to that artist. I came across a watercolour by painter #HaroldWilliamson (1878-1972) a while back. When I first saw it, I loved its beautiful sombre mood. Williamson was a painter, etcher, designer, and teacher. His studies at the Manchester School of Art were interrupted by WWI, in which he served as a Royal Navy Volunteer Reserve. He returned to complete his studies after the war. At the end of his studies, he moved to London and worked at Arthur Sanderson & Son as a designer of fabrics and wallpaper. In 1926, he was granted the post of Painting Master at the  Bournemouth College of Art. He held this post until 1947 when he accepted the post of head of department at the Manchester College of Art and Design. He  retired in 1962. His works also appeared in The Studio and Sphere magazine.s

Autumn Path – watercolour by Harold Williamson

A mesmerising image meets the eye. Dappled colours and earth tones set against the barren trees, and late autumn flowers display a world in transition. And there in the distance, a person is treading the leaf strewn path, breathing the crisp cool forest air, and feeling the turn of one season to another. A wonderful evocative image.

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Louis le Sueur artist

Today, I thought we might travel across the North Sea and visit an artist in France. #LouisLeSueur (1746-1803) was a painter print maker. I have not found a great deal of information on Louis Le Sueur, but the following two engravings will attest to his talent.

Vue d’un moulin aux Environs de St Mandé – drawn and engraved by Louis Le Sueur
Vue des Environs de Corbeil – drawn and engraved by Louis Le Sueur

LeSueur worked with watercolour, gouache, and printmaking. His works are mainly landscapes portraying village/homestead scenes. Le Sueur lived in Paris but traveled to Italy and Germany to paint and sketch..

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