In this chapter, we visit with an artist that I have written about previously. We do so, as I have acquired another piece by the artist. #MylesBirketFoster (1825-1899) was a British artist who worked as a watercoloyrist, engraver, and illustrator. The previous chapter focused on two watercolours portraying the city of Whitby and its harbour. Today’s artwork is more in line with what Birkt Foster was renowned for. The idealised/sentimentalised portrayal of rural life sometimes referred to as the ‘cottage garden’ era.

The piece I acquired is called #FeedingtheCat and is so very typical of Birket Fosters’ work. The artistry and workmanship are absolutely beautiful.

Now, one might question how I know this is by Burket Fosters’ hand because it does not bear his signature or his monogram. The age of the paper and quality of workmanship are not enough, but for me, the proof is on the verso. When one turns the artwork over, there is no writing or signature. There is, in fact, a sketch from another of his paintings.

The sketch is his prepatory work for his painting #TheNewBaby. This is where all artworks begin. A rough sketching to work out placement, size, etc. A nice piece to add to my collection.